The performance is part of an itinerant path in which the dancers react to an electronic musical deconstruction of Le sacre du printemps made by the METS - Conservatorio di Cuneo composers, associating these stravinskijani fragments with different choreographic gestures often unpredictable in their sequence and direction, also the result they of a similar decomposition process of a pre-existing choreography for Le Sacre, the work of Raphael Bianco. This fragmentation of the existing choreographic vocabulary, reworked in the economy of materials, leads to the essence of the drama of the reference choreography, upsetting the order of the libretto and proposing a new figure of the Elect.